Gem of the Lakes © 1990
There’s
a plaque at the foot of the larger-than-life bronze sculpture in the Winter
Garden at 311 S. Wacker in downtown Chicago, which is also part of a fountain. The
plaque says: GEM OF THE LAKES © 1990
Raymond Kaskey.
Kaskey is best known as the “principal artist” -- the detail man, in other words -- of the World War II Memorial in Washington DC, designing the bronze eagles, the wreathes, the many bas-reliefs, the haunting bronze star field on the Wall of Valor, even the flagpoles. As such, I’d say he did a fine job. It was the overall design by architect Fredrich St. Florian that didn’t greatly impress me.
I thought that © was odd, right there permanently
on the bronze plaque. But then I read about another statue by Kaskey in
Portland, Ore., called “Portlandia” (1985). Joseph Streckert writes in Not For
Tourists, “Downtown Portland's Fifth Avenue transit mall has a lot of
what you would expect -- buses, trains, and commuters, for instance. Look up,
though, and you might notice a giant woman holding a trident.
“Sitting
on the ledge of Michael Grave's postmodern Portland Building is 'Portlandia,' a
symbol of Portland that never took root... Most of this can be attributed to artist
Raymond Kaskey's retention of 'Portlandia's' copyright. Kaskey never allowed
his work to be put on key chains, t-shirts, shot glasses, or calendars.
Portlandia was to be in the (not very good) Madonna film Body of
Evidence, but Kaskey sued Paramount and had footage of his statue
removed from the final cut.”
So the © is in character. If Kaskey
feels that strongly about it, I won’t publish any pictures
of his statue here, fair use though it may be, and it will just another (incredibly minor) step on the way
to future obscurity for him and his work, despite the high visibility of the
WWII Memorial. It’s a moot point anyway, since the light wasn’t right
for good pictures, especially of the face. But of course other people have
published images: Google Images reveals some, including the statue wearing a
Blackhawks jersey, which must have been after that team won the Stanley Cup.
Emporis,
at least, describes the work this way: “It depicts a large Neptunian figure
drying himself over a seashell fountain.” I’ll go along with that. A buff dude
with a long beard. And still very green after 20+ years, so building management
must keep him nice and clean.
Labels: Chicago, public art, Washington DC
0 Comments:
Post a Comment
<< Home